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Houdini: Art and Magic book pdf - The Life and Legacy of the World's Greatest Escape Artist



Harry Houdini (1874-1926), master magician and escape artist, wrote in A Magician Among the Sprits, (1924) that he had "accumulated one of the largest libraries in the world on psychic phenomena, Spiritualism, magic, witchcraft, demonology, evil spirits, etc., some of the material going back as far as 1489." In 1927, through Houdini's bequest, the Library received 3,988 volumes from his collection. While strongest in nineteenth and twentieth century publications on spiritualism- Houdini doubted "if any one in the world has so complete a library on modern Spiritualism: - the Houdini Collection contains a number of magic books inscribed or annotated by well-known magicians. Leonard N. Beck. discusses significant items in "Things Magical in the Collections of the Rare Book Division," QJLC, v. 31, October 1974, p. 208-234. Also in the collection are prints, playbills, printed ephemera, periodicals, and many volumes of pamphlets on such topics as card tricks, mediums, hypnotism, handcuff escape methods, and chalk-talking. Of special note are over one hundred unannotated scrapbooks containing theatre notices and news clippings on subjects of personal interest. Houdini's theatrical collection was sold after his death to Messmore Kendall and later donated to the University of Texas. Supporting Resources


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_OC_InitNavbar("child_node":["title":"My library","url":" =114584440181414684107\u0026source=gbs_lp_bookshelf_list","id":"my_library","collapsed":true,"title":"My History","url":"","id":"my_history","collapsed":true,"title":"Books on Google Play","url":" ","id":"ebookstore","collapsed":true],"highlighted_node_id":"");Houdini's Paper Magic: The Whole Art of Performing with Paper, Including Paper Tearing, Paper Folding and Paper PuzzlesHarry HoudiniE. P. Dutton, 1922 - Magic tricks - 206 pages 1 ReviewReviews aren't verified, but Google checks for and removes fake content when it's identified From inside the book if (window['_OC_autoDir']) _OC_autoDir('search_form_input'); What people are saying - Write a reviewReviews aren't verified, but Google checks for and removes fake content when it's identifiedUser Review - Flag as inappropriateA really great book, I've seen them selling it in the skirball museum for $26.99 us dollars when all of us can get a PDF of it for free what ***holes




Houdini: Art and Magic book pdf



Creating Business Magic: How the Power of Magic Can Inspire, Innovate, and Revolutionize Your Business was written by David Morey, Eugene Burger, and John E. McLaughlin. All three of them are accomplished magicians, and all three of them are closely connected to the McBride Magic & Mystery School.


In this book the authors use their remarkable and varied expertise to apply their deep insider knowledge of magic to the essential task of innovating one's business in a strategic way. It articulates 9 strategies that magicians excel at, using examples drawn from the world of magic, and shows how they can be used to build more successful business enterprises.


"Your organization may employ hundreds, if not thousands. You may be hitting all your revenue targets... You may even be experiencing growth. But unless you are creating magic for your customers--like Disney, Apple, and Amazon--you are not the innovation leader you need to be.... Whether you are a corporate executive, a senior strategist, a product developer. a marketer, or any other type of creative innovator, you will learn how to adapt these strategies into your business and achieve breakthrough success."


"Creating Business Magic takes the reader along a path of genuinely magical thinking. Beginning with imagination, the authors illuminate the power of perception, ways to innovate, to think out of the box, break down conceptual barriers, and finally bring out the magician inside all of us.... This book will help any reader bring out not only what is wonderful, but wondrous, too. It is a solid, sparkling argument that imagination empowers the real magician inside us all."


When Weiss became a professional magician he began calling himself "Harry Houdini", after the French magician Jean-Eugène Robert-Houdin, after reading Robert-Houdin's autobiography in 1890. Weiss incorrectly believed that an i at the end of a name meant "like" in French. However, "i" at the end of the name means "belong to" in Hungarian. In later life, Houdini claimed that the first part of his new name, Harry, was an homage to American magician Harry Kellar, whom he also admired, though it was likely adapted from "Ehri", a nickname for "Ehrich", which is how he was known to his family.[13]


Houdini's big break came in 1899 when he met manager Martin Beck in St. Paul, Minnesota. Impressed by Houdini's handcuffs act, Beck advised him to concentrate on escape acts and booked him on the Orpheum vaudeville circuit. Within months, he was performing at the top vaudeville houses in the country. In 1900, Beck arranged for Houdini to tour Europe. After some days of unsuccessful interviews in London, Houdini's British agent Harry Day helped him to get an interview with C. Dundas Slater, then manager of the Alhambra Theatre. He was introduced to William Melville and gave a demonstration of escape from handcuffs at Scotland Yard.[20] He succeeded in baffling the police so effectively that he was booked at the Alhambra for six months. His show was an immediate hit and his salary rose to $300 a week (equivalent to $9,772 in 2021).[21]


In 1906, Houdini created his own publication, the Conjurers' Monthly Magazine.[27] It was a competitor to The Sphinx, but was short-lived and only two volumes were released until August 1908. Magic historian Jim Steinmeyer has noted that "Houdini couldn't resist using the journal for his own crusades, attacking his rivals, praising his own appearances, and subtly rewriting history to favor his view of magic."[28]


After much research, Houdini wrote a collection of articles on the history of magic, which were expanded into ''The Unmasking of Robert-Houdin'' published in 1908. In this book he attacked his former idol Robert-Houdin as a liar and a fraud for having claimed the invention of automata and effects such as aerial suspension, which had been in existence for many years.[32][33] Many of the allegations in the book were dismissed by magicians and researchers who defended Robert-Houdin. Magician Jean Hugard would later write a full rebuttal to Houdini's book.[34][35][36]


During his career, Houdini explained some of his tricks in books written for the magic brotherhood. In Handcuff Secrets (1909), he revealed how many locks and handcuffs could be opened with properly applied force, others with shoestrings. Other times, he carried concealed lockpicks or keys. When tied down in ropes or straitjackets, he gained wiggle room by enlarging his shoulders and chest, moving his arms slightly away from his body.[31]


For most of his career, Houdini was a headline act in vaudeville. For many years, he was the highest-paid performer in American vaudeville. One of Houdini's most notable non-escape stage illusions was performed at the New York Hippodrome, when he vanished a full-grown elephant from the stage.[38] He had purchased this trick from the magician Charles Morritt.[39][40] In 1923, Houdini became president of Martinka & Co., America's oldest magic company. The business is still in operation today.


He also served as president of the Society of American Magicians (a.k.a. S.A.M.) from 1917 until his death in 1926. Founded on May 10, 1902, in the back room of Martinka's magic shop in New York, the Society expanded under the leadership of Harry Houdini during his term as national president from 1917 to 1926. Houdini was magic's greatest visionary. He sought to create a large, unified national network of professional and amateur magicians. Wherever he traveled, he gave a lengthy formal address to the local magic club, made speeches, and usually threw a banquet for the members at his own expense. He said "The Magicians Clubs as a rule are small: they are weak ... but if we were amalgamated into one big body the society would be stronger, and it would mean making the small clubs powerful and worthwhile. Members would find a welcome wherever they happened to be and, conversely, the safeguard of a city-to-city hotline to track exposers and other undesirables".


By the end of 1916, magicians' clubs in San Francisco and other cities that Houdini had not visited were offering to become assemblies. He had created the richest and longest-surviving organization of magicians in the world. It now embraces almost 6,000 dues-paying members and almost 300 assemblies worldwide. In July 1926, Houdini was elected for the ninth successive time President of the Society of American Magicians. Every other president has only served for one year. He also was President of the Magicians' Club of London.[41]


After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, admitting that Houdini was tested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was six inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.[45]


This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.[46] 2ff7e9595c


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